BCC

BCC is an international arts information environment, which has the goal to support, connect, present, empower and raise visibility of artists and arts organizations involved in contemporary and innovative performing arts from the Balkans. Giving space to young and emerging as well as established artists who are interested in researching and questioning different models of producing, creating and presenting their work is at the core of our attention.

BCC 7

Performance art is making a comeback – it is what everyone says. It is an artform that usually functions best on its own myth, and the words “you had to be there” are often the best what we can come up with when we want to talk about something we have seen that falls under the performance art category.

BCC 7

Performance art is making a comeback – it is what everyone says. It is an artform that usually functions best on its own myth, and the words “you had to be there” are often the best what we can come up with when we want to talk about something we have seen that falls under the performance art category.

BCC 6 — Spaces

The Sixth issue of the BCC — BalcanCanContemporary Magazine is ready and right on time for the project’s partners meeting in Motovun on July, 2012. Spaces for the production, presentation and difusion of contemporary art is a hot topic in the Balkans. In a system inherited from another time, State institutions monopolize the public funds budget leaving what the locals call “the independent scene” (in a reference to not being managed by the State) with reduced support or dependent on foreign money. However, this is only the tip of the iceberg.

BCC 6 — Spaces

The Sixth issue of the BCC — BalcanCanContemporary Magazine is ready and right on time for the project’s partners meeting in Motovun on July, 2012. Spaces for the production, presentation and difusion of contemporary art is a hot topic in the Balkans. In a system inherited from another time, State institutions monopolize the public funds budget leaving what the locals call “the independent scene” (in a reference to not being managed by the State) with reduced support or dependent on foreign money. However, this is only the tip of the iceberg.

BCC 5 — The Forward Issue

It has been twenty years since the break up of the Socialist Federative Republic of Yugoslavia and this issue of the BCC magazine gives space to artists that matured since and that have taken it up (the break up and/or Yugoslavia) as a subject.

BCC 5 — The Forward Issue

It has been twenty years since the break up of the Socialist Federative Republic of Yugoslavia and this issue of the BCC magazine gives space to artists that matured since and that have taken it up (the break up and/or Yugoslavia) as a subject.

BCC 4

The 4th issue of the Balcan Can Contemporary Magazine is online for download (PDF 750KB). On this issue you will find an in-depth analysis by Gordana Vnuk (Eurøkaz) of balkans theater, interviews with balkans artists that do not live in

BCC 4

The 4th issue of the Balcan Can Contemporary Magazine is online for download (PDF 750KB). On this issue you will find an in-depth analysis by Gordana Vnuk (Eurøkaz) of balkans theater, interviews with balkans artists that do not live in

Balcan Can Contemporary

NEW ISSUE OF BCC:
The Forward Issue (2012)

Balcan Can Contemporary

NEW ISSUE OF BCC:
The Forward Issue (2012)

About us

The Perforations Festival takes place annually in three Croatian cities; Zagreb, Rijeka and Dubrovnik and presents a range of artists working in performance art, theater, and dance, whose diverse approaches to art-making blurs the borders between these genres. While their

About us

The Perforations Festival takes place annually in three Croatian cities; Zagreb, Rijeka and Dubrovnik and presents a range of artists working in performance art, theater, and dance, whose diverse approaches to art-making blurs the borders between these genres. While their